Monday, May 12, 2014

May Newsletter

Happy May everyone! I hope all the mothers, grandmothers, foster moms, aunts, sisters and mothering nurturers had a fabulous day yesterday, filled with lots of love, laughter and great books to read.

Like I told you in my April newsletter, there is some exciting news afoot regarding personal appearances, book signings, etc. I'm pleased to finally announce that I'm coming home to Texas this August! I'll be a part of the Indie Mashup Angels and Sinners Tour, beginning with the stop in Houston August 15th and 16th. For those who have read the books, Houston was the backdrop for The Undisciplined Bride, so things are bound to get HAWT. Here's a mouthwatering trailer to get your juices flowing.

I'm even MORE excited to announce that I will have some unreleased paperbacks ready to sell and sign at this event, including book #1 of my new biker series and a commemorative volume of my best-selling Fullerton Family Saga, featuring our favorite Fullerton male, Jonathan, on the cover.



Other towns I have booked, and will include details as they become available, are Phoenix, Detroit, Tulsa and Toronto. I am going to do my best to include a special guest for Tulsa if the fates align. I'll keep you posted.

If you'd like to see me anywhere else, please let me or any event organizers know, so we can make that happen!

I'm really excited (and scared) about the biker trilogy I'm working on. My screenwriting training is coming in handy as I craft this dangerous world and all the interesting inhabitants. While it is a biker book, I have no particular interest in writing a typical bad-boy biker romance with a good girl ingenue. When I'm done, I want every single character I bring to life to surprise the reader as something they may not have read before. There will definitely be a mix of genres going on, with two dual romance B-plots in addition to a thriller through-line. It will tackle the (sadly) very contemporary issue of sex trafficking, as our bikers set out to protect the most vulnerable among us who are seen as vulnerable prey to those who would do them harm.

While it was always meant to be a book, I've got the movie in mind. It will have romance and sex (even two, count 'em, TWO triangles,) but a typical romance novel, it ain't.

If you've read my books thus far, this will come as no surprise.

For this month's Take Three, we'll include three songs from the playlist:







And Take Three of my dream cast is our first, main triangle:







(These people get to act out my little stories in my head. God, I love my job.)

So that's all the news that's fit to print for May. See you in June when I'll have some hot excerpts to share!

Friday, April 25, 2014

"The Undisciplined Bride" - Re-release and Friday Free Read

Like I said in my April Newsletter, I am currently revising some previous work for an exclusive run on Amazon to offer you bigger savings and more opportunities to sample the work. Today, a newly expanded THE UNDISCIPLINED BRIDE goes on sale for a Friday Free Read.

I gotta say, this story took me by surprise in a number of ways. My goal was to write a story about two very powerful leads who volleyed control and domination back and forth in their game of seduction. I didn't want to go the traditional route with a hero who was a billionaire, so I made Mateo Bravo a working class cook. I didn't want a typical ingenue of a female, so I made Peyton Prescott the billionaire who was also a raging bitch who bowed down to nobody.

Both of these characters are unexpected powerhouses. In my mind, this made any subsequent submission even hotter.

As always is the case, my characters took me by surprise and gave me oh so much more than I was asking of them.

Mateo turned out about how I envisioned him, which was sexy as hell. This is a man who knows he's a man, and bows to no one. The way he dominates the woman who is literally his boss was one of the hotter dynamics that I have written. (The Boiling Water scene, in particular, is a favorite. And the Elevator scene... I just can't even TALK about it.)

Instead the women of THE UNDISCIPLINED BRIDE were the ones who had a thing or two to teach me.

I knew I was going to make Peyton a nasty little thing. She is a bridezilla on the warpath to make everyone pay if her desires are not executed exactly the way she thinks they should be. She's rich and entitled and has no qualms whatsoever going after anything she wants. Unlike my other books, Peyton is not a plus-sized heroine. I don't make too much issue of it because honestly, it wasn't that critical to the story. She had a host of flaws to challenge the traditional idea of feminine beauty, the biggest of which is that she thinks she is better than anyone else, including almost each and every man outside of her Daddy. This is no wilting flower or demure southern belle. She is, on many occasions, a capital-C-You-Next-Tuesday.

In writing her, however, I learned a lot about The Bitch Complex. I love to figure out what makes people tick, and motivates them to act the way that they do. Being a writer especially, we are tasked to introduce (and answer) a number of questions to keep our readers turning the page. The Peyton in my head could have easily been one-dimensional. She was spoiled and entitled, a true princess in her own mind.

But why? Therein lies the story.

As I pealed back layer after layer, I began to discover an interesting human being under all the nastiness. In fact, as each chapter passed I began to respect her in ways I didn't expect to. She was powerful and strong in the only way she had ever been allowed to be, and those qualities made her a pleasure (and inspiration) to write. She just needed the right environment in which to grow. Thanks to Mateo and me, she got one. Her evolution throughout the story was one I was proud to witness.

Another character who took me by surprise right from the start was Peyton's childhood friend, Lissette Goodreau. I had NO idea what her story would be when I sat down to write. She jumped headlong off the outline and demanded a love story of her own. She got one, though it is unconventional.

Because of Lissette, THE UNDISCIPLINED BRIDE isn't just a romance novel. It's also a social commentary about love and identity and how we each get to define our Happily Ever After for ourselves... or at least SHOULD. I take on some sociopolitical topics that can be controversial for some readers. If you want pure escapism, this may not be the book for you. In fact, none of my books may be the ones for you. I don't write a story unless I have something significant to say, and I'll pull any trigger required in order to say it.

In at least three books, that was done literally. (And I still have my biker series to go, which should really scare the crap out of anyone who has walked any of these other ledges with me.)

For me, THE UNDISCIPLINED BRIDE challenges the idea of happiness. How do we define it for ourselves? And what happens when it looks NOTHING like what thought it would? How far would you go to be happy? And how much would you allow society around you to limit your own personal journey?

And all this came out of deciding to give a snotty bridezilla what for and take her down a notch or two. This is how my brain works.

(And I wouldn't change a thing.)

For those who have read THE UNDISCIPLINED BRIDE before, the story hasn't been significantly changed aside from an expanded ending. I tied in the connection between the Prescotts in Houston and the Fullertons in California. (If you've read ENRAPTURED, then you know that Prescott Petroleum, the company Peyton's family runs, was tied directly into the scandal involving Troy DeHavilland and the horse ranch down in Mexico. Those references are now a lot easier to spot in the newly revised version, and Jace Riga even makes a surprise appearance.

That's right. I'm continuing to build that big universe where my books and stories are connected. I get SUCH a kick out of that, I can't even tell you. It is my hope to Stephen King most of my romances at least, just so I can spend time with my favorite characters again and again.

If you haven't yet read THE UNDISCIPLINED BRIDE, pick it up today for free. Keep an eye out for other promotions over the next 90 days, before I release it wide again for Barnes and Noble and iTunes.

To get you in the mood...

Tuesday, April 15, 2014

Love Plus One Re-Release

Like I said in the April Newsletter, I will be revising some of my older books for re-release. This starts with my novel, LOVE PLUS ONE, which was my best-selling title before the GROUPIE phenomenon hit. It remains a personal favorite of mine, so I was excited to get back into it and dig around. I also discovered there were some missed opportunities first time around. When you are a young writer, you tend to dance up to the line and then stop. Experience will take you tap-dancing right over that line, and that's where the true mastery comes in.

Needless to say, I'm excited to bring it to you all dressed up and purty. It even has a new cover.



LOVE PLUS ONE is where we meet Jake, Shannon and Jorge for the first time. If you've read the GROUPIE, FIERCE or FULLERTON FAMILY trilogies, you're already familiar with these characters. Here's your chance to get to know their story and see how the books in my universe all fit together.

LOVE PLUS ONE will be exclusive on Amazon for 90 days before I bring it back to Barnes and Noble, Apple, et al, so I can offer you discounts and freebies through Amazon. If you are a blogger who wants to review it, send your request to admin@gingervoight.com for a copy.

Here are the author notes on the book. Enjoy!

I wrote LOVE PLUS ONE as a protest of sorts. I’ve been plus-sized since elementary school, and even though I didn’t see any protagonists or heroines in contemporary romantic fiction that looked like me, I still managed to have a fairly active love life almost from the time I decided I wanted one.

Yet if I found any overweight characters introduced in romance novels, they generally played second fiddle to the protagonist. Their extra weight proved fodder for comic relief or a negative characterization tool, making the female less sympathetic.

Eventually I woke up to this subliminal message that suggested one had to be perfect to be romanced by the handsome prince charming, but not before succumbing to it myself.

In 1995 I finished my first “romance” novel, PICTURE POSTCARDS. I had leaned heavily on this ‘standard,’ mirroring all those stories I had read as an impressionable young girl. I made my protagonist blindingly beautiful and perfect in every way – physically speaking – because I bought into the notion that was what it took to find love in a romance novel. Imagine my surprise when I was told by publishers that she wasn’t relateable. It was a fair criticism given I couldn’t relate to her either as I had never had the experience of being blindingly beautiful or perfect in every way. I wrote what I thought would “fit into” the romance genre, rather than out of my own experiences, and this rendered my protagonist one-dimensional.

Ultimately I shelved the project, but the critique stayed with me. I wasn’t sure how to “write what I know” when my experiences with romance didn’t resemble anything out of a paperback novel, no matter how many of them I read. Yet I knew what love was, I knew how to manage long-term relationships. How was I supposed to convey this in my own voice, when most books out there spoke a completely different language?

Like LOVE PLUS ONE’S heroine, Shannon, I had to step out of the shadows and discover my voice was one that deserved to be heard. My stories were worth sharing – and were completely relatable for the average American woman, who resembles size-12 Shannon more than the beautiful, perfect (read: slender) heroines I had always read about.

By 2007, when I wrote LOVE PLUS ONE, I was ready to tackle a protagonist who wasn’t so perfect, since I myself was imperfect. I wanted to show what my experiences were finding my own prince charming, where I would find love and acceptance from a romantic hero who could love me for all my traits, not just some number on a scale. I also vented about all those back-biting beauties who played nice to the fat girl for their own self-serving purposes. Many felt I was no threat to the men they wanted to pursue and therefore easily discarded – and this proved especially toxic when I dared to believe I could get the guy in question.

Shannon’s insecurity that I describe in the book has also come to represent my own unsteady steps toward this acceptance in my own mind. I dared to stand against mainstream media and proclaim that girls who are imperfect, who represent those outside the norm, can be beautiful, can be desired, and can be loved.

That is Shannon’s journey in LOVE PLUS ONE, but it was ultimately mine as well. Apparently it is a message that resonates; it is the top selling book I’ve published, nearly double that of my second best seller. The most rewarding part of the process is when a reader tells me how much the book touches her, and how much she relates to Shannon’s journey.

I’ll let the Danielle Steels of the world write about thin, blindingly beautiful heroines. I prefer those heroines who are beautifully, wonderfully, imperfect. They’re much more fun to write. And I’m convinced they are completely lovable, because I love them completely.

Here's some music to set the mood, it factors into a key scene later on in the book. ;)

Wednesday, April 9, 2014

April Newsletter

First of all, a BIG thank you to everyone buying and reading the Fullerton Family Saga. Even months after the release, you keep these books either in or near the Top 100 for Sagas on Amazon, and I'm continually amazed by all the support this series is getting. You all seriously rock my world and I can't thank you enough.

You might have noticed that some older titles are no longer available for sale on either Amazon or Barnes and Noble, etc. I have taken down some of the earlier books to revise, repackage and resubmit. They will come back online slowly, through the Kindle Direct program first, so that I can offer more deals to the public with reduced prices and free reads through Amazon. The first such title to get this treatment is "Love Plus One," which will be available within the coming days, so keep a lookout. I'll announce either on my Facebook author page or Twitter (or both,) so make sure you follow me so you can be updated on all the latest news.

For those of you waiting on new books, progress is going along better than expected for The Leftover Club. I had pushed back the publication date until August, but things are going so well we actually might have a much earlier date. It's a book where I take some chances, go a little further than I have in previous books, get a little more graphic in the more liberally written sex scenes, so for those of you who ever wished I'd push that envelope, Roni Lawless and her gang are ready to give you a little bit more of what you want.



I'm also starting a new trilogy to be published in its entirety by the end of the year. The STORM series will center on bikers this time around. I came up with the story in 1989, when I was homeless and living out of my car in Los Angeles. The mood and tone will reflect this grittier reality, taking a break from the more glamorous tales I love to write. This book was largely influenced by my first husband, who was, in fact, a biker, and introduced me to my fair share of "guy" flicks back in the day. STORM is sort of my informal protest, and that's really the only clue you're going to get. This story will have a little bit of everything poured into the mix. I'm going to mix genres again with sex and romance amidst a contemporary thriller where the stakes are life and death as an unknown culprit picks off Hollywood's most vulnerable. This is the song that inspired the story, just a little taste to get you in the mood.



I can't WAIT for y'all to meet MJ. S'all I'm sayin.



For anyone who wants to meet me or get a book signed, I'm currently finalizing a five-stop tour starting this summer and going all the way to summer 2015. I should have more details by the May newsletter, but Texas, Oklahoma, Arizona and Michigan and Toronto? Get ready! I'm comin' for ya.

Finally I've figured out how to handle the conundrum of how much of a warning I need to put on the sales descriptions for my books. Since I write intense material for particular type of audience, I started putting disclaimers on books that stepped outside genre norms. The first, of course, was the Groupie Trilogy:



HEAs? Eh. Lots of sex frequent and fast? Eh. You buy my books, ya takes ya chances. I write stories, not formulas. The only guarantee you'll ever get from me is that if someone tells me I can't do something, it will make me want to do it. I like to twist expectations around. I find this fun. If you're a reader of mine you already know this, and most of you have told me time and again how much you like this approach and find it refreshing to the same ol' cookie-cutter template that repeats ad nauseam in a glut of other books.

I write brain candy escapism, but with enough realism to punch you in the gut. And that's the way it is going to stay, which, really, is warning enough. Some folks will like it. Some folks will hate it. That's how it works for everyone, and no specific warnings seem to minimize the damage.

Some folks won't read my books, and I'm OK with that. Some folks will be terrified to read my books. I'm even more OK with that. A writer recently told me that she wanted her readers scared as shit when they opened the first page of her novels.

I like that. This gives her liberty to take them anywhere and do anything. As a reader, I find that exciting. I'm more apt to read her books now because of it.

I ain't scared. Turn off the lights, start up the ride; let's DO this.

Since many readers are story purists like me, who want to go into a book without any spoilers of any kind, I've decided that a generic disclaimer works best for the kind of material I produce, rather than individual warnings on specific titles. I'm gradually adding the following warning for all my books written for an adult audience:

IMPORTANT DISCLAIMER

This author writes books that are written for a mature audience. Uncomfortable situations can and will be discussed unflinchingly and without apology, including those sociopolitical in nature. Many of these stories are written to be sex-positive, so sex is approached in a forthright manner, even in risque subjects such as triangles, cheating, polyamory and same-sex pairings. The frequency and intensity of these sex scenes depend SOLELY on the story being told, rather than formula or trend.

These stories are written to be angst-ridden. For sensitive readers, they may cause emotional triggers regarding abuse (sexual, domestic, emotional, religious,) disorders (eating and psychological,) and traumatic situations (up to and including death).

Most importantly, this writer does not heed rules that suggest "all books need a HEA." Books, in series especially, can involve cliffhangers.

If any of these are deal-breakers, caveat emptor.


(Basically, if you need a warning before you buy, don't buy. These are not the droids you were looking for.)

TAKE THREE!

Currently watching:

American Idol
The Big Bang Theory
Once Upon a Time


Currently reading:

George Orwell
Jennifer Weiner
Ray Bradbury


Currently loving:





Workout for Nerds!

See you in May!

Monday, April 7, 2014

Paying Dues.

Recently I caught Authors Anonymous, a movie about a group of aspiring writers that falls apart when one of them finally breaks into the business.



It speaks to the randomness of luck and how it plays a part in a creative professional's career. You can work and toil for years perfecting your craft, doing all the right things, but still... lightning has to strike for something to really catch. And there is no rhyme or reason to it at all. It's a matter of being in the right place at the right time, or getting to the right person... to fight through all the gatekeepers until you find the one person who is going to open that door and let you through. Two equally talented individuals can start the race in exactly the same spot, but there is no guarantee that they'll get exactly the same breaks for exactly the same reasons.

That's why it's easy to get jealous or bitter sometimes just because of the randomness of it all. Even after you're published, there's no guarantee each book will sell. Some may collect dust for years, another may take off for reasons unknown. Stories have a life of their own and it's unpredictable from book to book which one is going to come with a little more pixie dust than the rest.

You just never know. And you never will. In order to make it in this business, you kind of have to be okay with that. According to a report in the Guardian, precious few writers will earn more than $1000k a year, which means for the rest of us, for the majority of the time, are struggling.



I'm an old-school writer, whose dream began way before the current digital revolution. Every single writer who made it through the traditional publishing gauntlet had their stories to tell about paying their dues, being rejected time after time, as they struggled to make their dream a reality. Best-selling writers will tell you about a wall, drawer or folder full of rejection letters, sometimes for books that went on to be their breakout novels. I'll never forget my first manuscript I sent that I got back splashed with red ink on every page with a "thanks but no thanks, try again later."

That shit was soul-crushing, I won't lie. Many creative professionals battle inner demons, and it was enough to drive more than one of us to the brink on more than one occasion. After that first critical rejection, I shelved my manuscript and gave up on my dream to be a best-selling writer because clearly it wasn't in the cards.

But a writer writes, even if there's no one to read it. That's what makes it possible to get up after getting knocked on your ass, and try again even though you were told "no."

The digital revolution has made this process a whole lot easier because you don't have to spend months or years or decades trying to break down the door. There are no more gatekeepers to keep you from the audience you seek. Within a few keystrokes, you can go from "aspiring" writer to "published author," though there are still some traditionalists who feel that you didn't earn that title.

They want you to pay your dues, much like we had to back in the olden days.

They'll think you're not worthy to read if you're self-published because there was no gatekeeper to ensure that your book was quality enough to take its place in the marketplace.

Again, this doesn't quite take into consideration the random stroke of luck I was talking about earlier. Just because a book is rejected by traditional agents or publishers doesn't mean it's not good. It's just that they don't feel they can make enough profit off of it to justify the investment.

In the e-book age, writers take this investment on themselves and as a result we get a variety of stories for every kind of reader. Sure that means we get Bigfoot porn, but hey. To each their own.

There were plenty of shitty books being published way before self-publishing became the norm. Like I said, it is really all random.

The problem with this new era is that you often pay your dues AFTER you hit publish, when you're a public figure with eyes on you to see how you rise or fall. Some unlucky authors get a target on their back, the object of cyber-bullying because they dared to make themselves known to the world. It's one thing to open an email saying, "Thanks but no thanks." To get your shit reamed on Amazon or Goodreads by people determined to take you down when you haven't spent years toughening your resolve through the traditional gauntlet leaves you unprepared to bounce back.

For some, it is a dream-killer. I've seen more than one writer fall.

I recently read a goodbye post from an author who had decided it was no longer worth the pain to make her dream a reality. It broke my heart to read it. Something she felt so passionately about, something she had invested in several books that - ironically - ARE selling, wasn't giving her back the return on her emotional investment. I have a few preachy opinions on this, mostly it goes back to "demand what you're worth," (i.e., if you're selling more than 100 books a day on more than one title, stop undercutting your prices at $0.99. Raise to $2.99 and get your full 70% commission so you CAN afford to continue) but in the end it doesn't matter. This poor writer has pulled the plug on her dream because the dues owed were more than she wanted to pay.

I've heard it said that if you can do anything other than a creative career, you should. It has to hurt you more to give up the dream than pursue it. This is not an easy journey, even though it's easier now to break into the business.

Maintaining the career, THAT is the trick. Because you never stop paying your dues. For 98% of us, there's no sitting back on a white sandy beach, our feet up, a tropical drink in our hand and living easy. It's hard work, especially for self-pubbed authors who pretty much have to wear every hat as a publisher/writer/agent.

Even with decades under my belt, I'm still paying dues. One book will sell pretty well, while another one won't see the light of day. A reader will get all excited about one title, but move on to the next big thing and forget all about me and my book. Some months I'll see more money than I've ever made in my life, the next I'm planning my budget around Ramen noodles and juggling which bill to pay and which to put off. It's feast or famine with every single book. According to the statistics, this is the reality for most writers. Despite the thousands of new indie writers who hit "Publish", nearly 80% make less than $1000 a year.

Some will tell you this is because indie books are crap, but more than 50% of traditionally published authors face the same reality. Most of us are not driving Audis, making movies, or creating lines around the block at book signings. If the criteria to call oneself an author depends on making one's living at the craft, then the vast majority of us are screwed.

In fact, I bet there are more people out there making more money selling books on how to sell books than actual fiction novels being sold. There's a scam for every desperate author out there who dreams of the day they will see their name on the New York Times Best Seller list. (Hint: If someone promises they can make your dream a reality if you buy their product, read their book, attend their seminar, especially if they've never read your work and don't have any inkling what you can do as a writer, generally they're full of shit. Like I said above, there is no rhyme or reason, no formula ... it's all the luck of the draw. Otherwise we'd ALL be getting 8-figure book deals.)

It's not easy. Bad reviews hurt. Your skin never gets thick enough to avoid the scars, no matter what the critics would have you believe. But these are the dues you pay to have the dream. Looking back, I'm glad for the olden days. They prepared me for the rejection, probably a little too well. Dipping my toe in the water, I was tempted to compromise myself in order to live the dream (i.e. making my living selling my work.) I gave away copies for free, I undercut my prices, I often was tempted to alter my stories to fit formulas that were more successful than others.

I've since given that up, because there's a couple of things you learn when you do pay your dues. You learn how much you want something... and you learn what you're willing to go through to get it.

Like Rocky says, you gotta be willing to take the hits.



The only real rule is this: Don't give up.

There are no shortage of miracles. You just have to stay in the game long enough to catch yours. The key is persistence, so sayeth the Master at 8:09 in the following clip:



Only you can decide what you're willing to do, what you are able to do. If Plan B is a viable option, then go for it. But if Plan B hurts, if you know it doesn't fit, then work the HELL out of plan A. Pay those dues until they pay off. It's worth it.

And so are you.

“I fear not the man who has practiced 10,000 kicks once, but I fear the man who had practiced one kick 10,000 times.” ― Bruce Lee

Saturday, March 15, 2014

The tale of two brothers, and yes... I answer "why." (Spoiler Warning) #fullertonfamilysaga

On February 28, I released Enraptured, Book #3 in the Fullerton Family Saga. I stated from the beginning that one member of this powerful family would risk it all for love and meet a tragic end. I did this so that readers who might be sensitive to this kind of plot twist could avoid this series rather than be disappointed or let down.

It's a triangle, and triangles are going to disappoint someone somewhere along the line. Eventually the main character will choose, and the best an author can do is make that choice understandable, if not necessarily liked, by the audience.

That did not, however, influence my decision to include a tragic end for this particular character. His death was never meant to make an impossible choice easier.

The Fullerton Family Saga was always meant to be a triumph over tragedy. Most know that is because of the emotional place I was in when I wrote the book. I told you about losing my son, Brandon, and finding solace in a beautiful little boy named Jonathan Fullerton, who was an old soul whispering through the ages.

Because I was processing loss and grief in my own life, those things found their way into the book. This became the story I needed to tell, even though... at the time... I didn't realize why that was exactly.

After 19 years, I finally got the distance I needed to answer the one question I see repeated throughout reviews from devastated and heartbroken readers:

Why?

So I thought I'd answer that question in more detail for anyone who might be asking it.

SPOILER WARNING: If you have not read all three books, key plot points will be discussed below. Proceed with caution.

Drew and Alex Fullerton are dynamic brothers who embody very different characteristics. Drew is, without question, the alpha. He's strong, he's dynamic, he's exciting. He plays to win and takes what he wants. This is the kind of man we think of when we think of men in power. He's seductive and alluring, even though he probably shouldn't be. There's an exquisite danger in that. We know it's a bad idea to want these kinds of men, but despite our best intentions we find that we are succumbing to their charm and submitting to their will.

The other side to power is a certain ruthlessness and selfishness. In order for him to win, someone else must lose. To those driven to win at all costs, empathy is a liability. This was the message he was taught by an even more formidable father, who did his level best to beat any of these "weaker" characteristics out of his son so that he could succeed in the cutthroat world of international business.

Suffice it to say, Drew did some pretty shitty things, generally without apology. The first book ends with a rather shocking betrayal that sends our intrepid protagonist Rachel back to her safe, comfortable, normal world in Texas. This betrayal cuts so deep that she uncharacteristically ends up breaking a promise, which was previously unthinkable for our honorable heroine. To say she was leveled is putting it mildly, and this is a woman who had been brought to her knees and broken before, in unimaginable ways.

Book #2 follows her as she struggles to find her footing. She knows at this point that Drew, as he is, is not the partner she needs for a HEA. She attempts to think with her head and heed the warning signs she had previously discarded. She sees that Drew, as he is, is a broken little boy and an angry, entitled man who traded love for ownership and control.

But the heart wants what the heart wants, even when presented with a viable option.

Alex Fullerton is the antithesis of Drew. He is empathetic and sensitive, artistic and expressive. He's kind and loving and fiercely loyal, even when all these traits were derided by an abusive dad who pigeonholed him as weak. This caused him to withdraw behind a gruff bravado of snark and contempt. This was a facade he had to maintain his entire adult life, especially as he suffered some heavy emotional blows of his own. His strength didn't come from controlling the wind, but from weathering the storm. Not exactly a trait historically prized by the Fullerton family. As a result, he settled into the role of black sheep, shunning what they had spent generations building and loathing the ruthless drive of his ancestors to win at any costs.

This includes his brother. There is no love lost between these men when Rachel enters their lives. The Fullerton family had everything in the world, but the one thing their family had been missing was unconditional love. Only her strength and her dedication could reconcile these two brothers and heal what had long been broken.

This was the original plot I crafted so many years ago, and it never occurred to me to change it. I would tell this story because it was a story I felt I needed to tell, as is, despite the risks. And I knew going into it that in order to tell this story correctly, I couldn't hold anything back. So even though one of these characters found a loyal fan base that begged me to spare his life, I knew I couldn't alter this course.

Which brings us back to the "why."

When I sat down to write a preface for the third book, essentially sharing with all of you how this story came to be and why your continual, passionate support for this series means so much to me, it hit me like a ton of bricks that this book was not just therapy for a bereaved mother. Drew and Alex proved to be unintentional metaphors to mentally work through the tumultuous relationship I had with my first husband, Daniel Rutherford.

I met Daniel when I was 17, and he left me thunderstruck. He was strong and he was tough, with enough of a gooey center to be everything you'd want in a hero for your happily ever after. Yeah, maybe he was more of an anti-hero, but I idled somewhere between complicated and chaos. I wasn't intimidated by a challenge.

Yes, he was broken and yes, I thought I could fix him. And I loved him as passionately as I ever loved anyone, determined to break through the walls and save him from himself with nothing but my love alone.

As the years passed, tough turned into abusive, strong turned into controlling. And I watched this man, who had the biggest heart of anyone I've ever known before or since, become hateful, hurtful and terrifying with little to no provocation.

In 1994, seven years into our relationship, we learned that Daniel suffered from bipolar disorder with schizophrenia and psychotic episodes. And yes, it was often every bit as bad as it sounds. Many times it felt as though I was living with two very different men who just so happened to look alike, and I never knew who I was going to deal with day to day.

Dan was equally tormented by his lifelong affliction and often called that dark side of him His Shadow. There were times when I could look at him and see a stranger staring back at me.

By the time I gave birth to and subsequently buried Brandon, Dan was on a mission to figure out a way to manage his illness. It was not an easy journey. Diagnosing the mental illness proved far easier than figuring out how to treat it. And I was working through a lot of that in the book without even realizing it. Once we realized that his behavior had a legitimate medical reason, there was no way to "hate" him for much of the pain my family endured when his illness raged undiagnosed and out of control.

I had to find another way to handle that confusing duality I had lived with for all those years, where I fluctuated between loving him and hating him.

In the brothers Drew and Alex, I could divide Dan's personality into two different characters, to separate the ruthlessness from the vulnerability, the need to control and the fear to run away from everything. I could see the weaknesses and the appeal of both types of men from an objective point of view. I understood the seductive appeal of the strong alpha who took me well in hand and guided me from a girl to a woman. I also saw the appeal of the wounded, vulnerable rogue, the bad boy with a heart of gold that I felt hellbent to save, making me stronger in the process.

In real life, yes, I did give this man a HEA he didn't expect, even though our marriage didn't last to the end of his life. We started as friends and sixteen years later we ended as friends, and I was devastated by his premature death at age 43. But I really can't pat myself on the back too much for the changes he made and the man he became. Dan remained his own hero all the way through as he battled these terrifying illnesses, with the silent strength that had attracted me all those years before. He was the who sacrificed it all for his family and his children. He stepped aside and supported me when I married again, to ensure that his children had a strong father figure who didn't wrestle with the same kinds of demons. He took very powerful medication that ultimately shortened his life as it aged him at an accelerated rate and ravaged him physically.

It made those final scenes with Drew that much harder to write.

But this was my story to tell, you see. I watched as Dan finally defeated his shadow to be the kind of man he always wanted to be but was afraid he never could be. After actions that were often irredeemable, he pulled himself up and gave us a legacy beyond the pain and the abuse. It was one of strength... of family...

Of love.



So this is why my fictional saga ended the way that it did. It was always meant to, even if I didn't realize why at the time. My subconscious was hard at work, processing my own experiences through these fictional characters that came from a place so buried I didn't even recognize it until all these years later. It's been rather mind-blowing to figure this out, honestly. When you study literature, you learn about things authors employ to tell a deeply faceted story, regarding theme and imagery and metaphor. It never dawned on me any of this could happen accidentally.

After several people wrote to me to plead Drew's case, there were times when I wondered if I could change this ending and give everyone the happily ever after they wanted. But that was not this story. It would have cheapened it to tell it any other way. It shattered my heart to write those scenes, to let Drew go, to face the pain I knew all too well from my own life. But it was the right thing to do. Anything else would have made me feel like a fraud, and now I see why. I'd have been lying about my own personal truth.

And I understand that some folks are sad or disappointed. As someone who lived it, believe me when I tell you that it's a grief I managed every single day I watched the sons he left behind grow into the men he once wanted to be. With every birthday, every holiday, every milestone... I longed to rewind the hands of time so that Dan could sit right beside me and share each and every triumph. It is unfair all that he missed, and all that we missed with him gone. But that is life, isn't it? It is filled with tragedy as well as triumph, and all we can ever do as artists is render this pain into something beautiful wherever we can. Sometimes it redefines the idea of Happily Ever After, but it steals none of its joy. In one of my favorite Doctor Who episodes, "Vincent and the Doctor," Amy is saddened to find that her influence on a tragic historical figure was not enough to change his fate. Our wise old Doctor tells her this:

"The way I see it, every life is a pile of good things and bad things. The good things don’t always soften the bad things, but vice versa the bad things don’t always spoil the good things and make them unimportant."



This story demanded to be told so that Drew added to his pile the only good things that matter.

Drew Fullerton died a hero for his family, after finally learning exactly what a gift that was. He was no longer in that lonely room. In those final moments, he had everything he could ever hope to have, but often thought were out of his reach. He had the love of a good woman, the promise of his children and the admiration of his brother. It was everything he had been denied his entire life, the consequences of trying to manipulate his life instead of submitting himself to it. I restored everything to him by the time he took that last breath. He was truly loved for all those things he had hidden from the world. This was his happy ending, and a legacy worth passing on to those he left behind.



I hope all this sheds some light on my creative choices, even if it wasn't the way you wanted the story to end. Trust me, I get it. Thank you to everyone who has read this saga and loved these characters. Thank you for taking this journey with me, trusting me to guide where I led, even if it was sometimes a dark and painful place. Your support and your kind words mean more than I could ever say.

And now you know why.

xoxo GV

Thursday, February 27, 2014

#TBT: "The Leftover Club", my new book, takes us back in time.

As we're wrapping up the first three months of 2014 and, as such, putting to bed my newest angst-ridden trilogy about the Fullerton family, I've turned my attention to my next book, "The Leftover Club."

I was actually trying to enjoy a two-week vacation because writing three books in four months is a helluva lot of work. I was worn out, burned out and thought I'd take two weeks solid to get caught up on my own neglected reading list. I made it to book 3 before my plans were effectively circumvented. Apparently my Muse kind of likes a breakneck schedule now, and wouldn't stop pestering me until I finally relented and typed an outline. After that came the prologue, then the first chapter... and so on and so on.

And the reason I keep going is because I'm having a blast. "The Leftover Club" was meant to be a little more fun than most of my angst-fests. There's angst, there's always angst, and nothing is quite as angsty as unrequited love as an awkward teenager. But in the midst of all of that is a fond remembrance of what it was like to come of age in the iconic 1980s.



"The Leftover Club" is about a group of friends who meet in high school in 1985. They have one thing in common: they all lust after the cutest boy in school (you know the one.) The reason they have to start their exclusive club is they know they have absolutely no chance of ever landing him because they are weird outcasts who do not fit into any high school norms.

It was the book I was born to write.

I didn't acclimate well in high school because I didn't fit in, and several uncomfortable situations make their way into the book. As do many of my crushes from my past, from the boy I fell in love with the first day of first grade, to the older guys I began to chase with gusto once I knew how to properly wield the weapons I was naturally given. That's where the biggest problem of the book, not landing the boy of my dreams, required a little creative license.

Truthfully there was no boy in high school for me because I really didn't like boys my age. This was mostly because they didn't like me. I stood out like a sore thumb because I had the misfortune of developing as early as the 4th grade. I was taller, broader, and weird sort of things started popping out and drawing attention to themselves before any of my classmates were prepared for it.



This made me the butt of their jokes from grade 5 on, when a notable group of idiots swore that I had been held back a year.



In seventh grade, probably the most awkward of all my school years, a popular (and cute) ninth-grader decided to flirt with me as part of an ongoing joke. He'd call out his little comments in the middle of the lunch area in front of a crowd full of his peers. They found it HIL-arious how flummoxed this rendered me.



Fun times. :/

By the time we were in high school, I was over trying to impress any of them. My 42-36-44 figure remained a liability for most guys. They had their own image to protect, and their own cliques to maintain.



Essentially Claire was right. Come Monday morning, the popular kids would go back to being popular, and the geeky, awkward outcasts would slink right back into the shadows.



It truly was survival of the fittest and has remained so through every era that followed. Sure, dorks and weirdos and outcasts find their footing as they grow into brilliant and creative adults. But you actually had to get through those torturous four years first.



Universally, this hasn't changed much, so I felt confident that I could write a story that would resonate with readers of all ages, with enough pop culture references to give a little somethin' somethin' extra for ladies my age. With the NA market exploding, there are plenty of new stories every week about girls in their late teens and early twenties, in high school and in college, in various stages of emerging womanhood and the sexual and romantic exploration that goes with that. There's nothing quite like the intensity of first love or young love. But I thought it'd be a hoot to write about women who find love, sex and romance a little later in life, with the jaded romanticism that followed us from the 1990s into the 21st Century.

Like my generation needs any excuse at all to go retro. We've been waxing nostalgic since the early 2000s, courtesy of VH1.







"The Leftover Club" covers it all by skipping back in forth through three distinct eras... the 1980s, the 1990s and the 2000s. This allows me to explore love as a virginal teenager, a 20-something hellbent on taking over the world and a 30-something divorced, single mom who has finally made her peace with the fact that life is messy and doesn't always end up the way we want.

I'm a linear thinker, so I was intimidated by the idea of telling a story in various stages of flashback. I like things straight and true, which makes my passionate love affair with Doctor Who an anomaly. I constantly have to ask my husband what the heck is going on just to keep my frame of reference.

But having lived through these eras, and these significant periods in my own life, writing the book is a bit like going through a box of old photos. Needless to say, the vacation ended after four days and I should have a new book for you all by late August.

Here's a lil taste to hold you over.



Prologue

June 20, 2008

I guess you could say the Leftover Club was officially founded in 1985, though some of us were informal members much earlier than that. I, myself, earned my rightful place as President of our club in May of 1979, many years before I met other key members of our exclusive little group. It started with a shy kiss on a dusty, neglected playground with rusty, broken equipment. The only thing that worked was a chipped and faded merry-go-round.

A fitting metaphor, looking back.

But I’m getting ahead of myself.

My name is Roni Lawless, and I’m proud to say that I belonged to one of the greatest generations of the 20th Century. I was there at the birth of MTV, the advent of home video games, VCRs and microwaves, and I learned some valuable mechanical skills by taking apart and putting back together an otherwise uncooperative Rubik’s Cube.

(It was a puzzle and I found a way to solve it. In my book, that counted.)

We weren’t afraid of no ghosts because we knew exactly who to call at the first hint of slime. We knew where to find the beef, and delighted in dancing raisins. We were oft-thanked connoisseurs of watered down wine coolers way before we were legally old enough to consume them, even though we were the generation courted to “Just Say No.” We were the footloose, sweater-sporting Cosby kids and almost every single one of us, at one point or another, wore a Mullet without the good sense to be embarrassed about it. We also wore parachute pants without a hint of irony, and proclaimed “RELAX” boldly across stark white T-shirts accented with obnoxious, neon-colored accessories.

We lived in an era where space exploration became routine, even mundane. Computers had shrunk from entire rooms to a desktop, putting cutting edge technology right at our fingertips courtesy of three-to-five-inch floppy disks. We watched the Berlin wall come down, and were witness to the collapse of the Soviet Union in the wake of the Cold War. We read Stephen King and VC Andrews by the stack and inhaled anything the great John Hughes created, like he crafted each and every story just for us. (And I like to believe that he did.)

We were too young to be adults, but smart enough to be self-aware, which made us older than our years. Our era was one of great change, and we were witness to it in our music and in our entertainment.

I, in particular, nursed a pretty healthy addiction to Bloom County cartoons that many of my classmates really didn’t even get. It was the one of many such obsessions that set me apart from the crowd at an early age.

As we raced after the ever-changing technology and social paradigm shifts that proclaimed greed was good even for working girls, we kids of the 1980s were taught that we could have anything and everything we wanted.

Too bad it was a big fat lie.

When I was sixteen I had only one real dream… and it was shared with hundreds of other girls (and a notable subsection of guys) at Hermosa Vista High. I wanted Dylan Fenn, the most popular boy in school. He was cool. He was hot. And if he liked you, you became the most important person on campus. Well, next to him anyway.

Actually, if we’re going to get technical, I wanted Dylan to want me. Maybe then I wouldn’t be the overweight, awkward, pimply-faced teenager who didn’t fit in with any of the major cliques. I related most to The Breakfast Club’s Allison, who showed up at detention just because she didn’t have anything else better to do.

Dylan was my Andrew.

Twenty years later and I’m still waiting to wear his varsity jacket.

Tonight is my high school’s twenty year reunion, a fitting celebration for the Class of ’88, the Fighting Jaguars of Hermosa Vista. This California school had produced celebrities of varying degrees. Among our prestigious alumni were actors, musicians, business titans, tech wizzes, aspiring politicians and even a few porn stars.

Of them all, Dylan Fenn was still a notable figure in our school’s history. He never feared being noticed, and was teetering on the precipice of his own personal fame and fortune as an emerging actor, something he was voted “most likely to” way back in 1987, after he starred in his first play.

And then there was me, plain ol’ Roni Lawless, a divorced, single mom, still struggling to fit in, in my chosen profession, with my testy, teenaged daughter… and even in the club I had unwittingly founded all those years ago with a kiss on a dare.

There, dear friends, is the root of my problem.

The reason I don’t fit in is because I’m a fraud. I’m not now, nor ever was, what I always pretended to be. I have a secret, a really, really big one. And it was a secret involving the object of our many desires, which meant I was a liar to the people I had always called my friends.

And tonight… for the first time in a long time, I knew it was time to set the record straight.



"The Leftover Club" coming August, 2014! Click below to add to your TBR now. :)

The Leftover Club