Love Plus One Re-Release

Like I said in the April Newsletter, I will be revising some of my older books for re-release. This starts with my novel, LOVE PLUS ONE, which was my best-selling title before the GROUPIE phenomenon hit. It remains a personal favorite of mine, so I was excited to get back into it and dig around. I also discovered there were some missed opportunities first time around. When you are a young writer, you tend to dance up to the line and then stop. Experience will take you tap-dancing right over that line, and that's where the true mastery comes in.

Needless to say, I'm excited to bring it to you all dressed up and purty. It even has a new cover.

LOVE PLUS ONE is where we meet Jake, Shannon and Jorge for the first time. If you've read the GROUPIE, FIERCE or FULLERTON FAMILY trilogies, you're already familiar with these characters. Here's your chance to get to know their story and see how the books in my universe all fit together.

LOVE PLUS ONE will be exclusive on Amazon for 90 days before I bring it back to Barnes and Noble, Apple, et al, so I can offer you discounts and freebies through Amazon. If you are a blogger who wants to review it, send your request to admin@gingervoight.com for a copy.

Here are the author notes on the book. Enjoy!

I wrote LOVE PLUS ONE as a protest of sorts. I’ve been plus-sized since elementary school, and even though I didn’t see any protagonists or heroines in contemporary romantic fiction that looked like me, I still managed to have a fairly active love life almost from the time I decided I wanted one.

Yet if I found any overweight characters introduced in romance novels, they generally played second fiddle to the protagonist. Their extra weight proved fodder for comic relief or a negative characterization tool, making the female less sympathetic.

Eventually I woke up to this subliminal message that suggested one had to be perfect to be romanced by the handsome prince charming, but not before succumbing to it myself.

In 1995 I finished my first “romance” novel, PICTURE POSTCARDS. I had leaned heavily on this ‘standard,’ mirroring all those stories I had read as an impressionable young girl. I made my protagonist blindingly beautiful and perfect in every way – physically speaking – because I bought into the notion that was what it took to find love in a romance novel. Imagine my surprise when I was told by publishers that she wasn’t relateable. It was a fair criticism given I couldn’t relate to her either as I had never had the experience of being blindingly beautiful or perfect in every way. I wrote what I thought would “fit into” the romance genre, rather than out of my own experiences, and this rendered my protagonist one-dimensional.

Ultimately I shelved the project, but the critique stayed with me. I wasn’t sure how to “write what I know” when my experiences with romance didn’t resemble anything out of a paperback novel, no matter how many of them I read. Yet I knew what love was, I knew how to manage long-term relationships. How was I supposed to convey this in my own voice, when most books out there spoke a completely different language?

Like LOVE PLUS ONE’S heroine, Shannon, I had to step out of the shadows and discover my voice was one that deserved to be heard. My stories were worth sharing – and were completely relatable for the average American woman, who resembles size-12 Shannon more than the beautiful, perfect (read: slender) heroines I had always read about.

By 2007, when I wrote LOVE PLUS ONE, I was ready to tackle a protagonist who wasn’t so perfect, since I myself was imperfect. I wanted to show what my experiences were finding my own prince charming, where I would find love and acceptance from a romantic hero who could love me for all my traits, not just some number on a scale. I also vented about all those back-biting beauties who played nice to the fat girl for their own self-serving purposes. Many felt I was no threat to the men they wanted to pursue and therefore easily discarded – and this proved especially toxic when I dared to believe I could get the guy in question.

Shannon’s insecurity that I describe in the book has also come to represent my own unsteady steps toward this acceptance in my own mind. I dared to stand against mainstream media and proclaim that girls who are imperfect, who represent those outside the norm, can be beautiful, can be desired, and can be loved.

That is Shannon’s journey in LOVE PLUS ONE, but it was ultimately mine as well. Apparently it is a message that resonates; it is the top selling book I’ve published, nearly double that of my second best seller. The most rewarding part of the process is when a reader tells me how much the book touches her, and how much she relates to Shannon’s journey.

I’ll let the Danielle Steels of the world write about thin, blindingly beautiful heroines. I prefer those heroines who are beautifully, wonderfully, imperfect. They’re much more fun to write. And I’m convinced they are completely lovable, because I love them completely.

Here's some music to set the mood, it factors into a key scene later on in the book. ;)